Mary Michola Fibich Fine and Fiber Art

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“Deep in their roots, all flowers keep the light” ~Theodore Roethke

My connection to nature began as a young child in my native Colorado, tending to my mother’s flower gardens and hiking among the streams, aspen forests, and wildflowers of the Rocky Mountains. It was then that I began to capture my love of nature in my art and poetry and I never stopped. After earning degrees in fine art and art therapy, I worked as a registered art therapist, using the healing qualities of art and creative writing to help others.

While working with individuals struggling with post-traumatic stress disorder in the early 1990s, I used my own art as a respite after coming home from work, specifically, using watercolors to recreate the elegance and grace of blooming flowers. This focus on beauty and light offered restoration after long days spent processing clients’ intense pain and grief.

Inspired to explore my art in new mediums, I also studied the traditional craft of rug-hooking as well as needle felting and began to recreate my watercolors with wool. Like my paintings, these garnered a following of clients throughout the United States and abroad.

My watercolor flowers decorate the walls of the Mayora Rosenberg Women’s Health Center at the Swedish Covenant Hospital in Chicago and were on exhibit in the Maine State Office Building in Augusta in 2017. My art, prints and greeting cards are sold in artisan, botanical, book, and gift stores throughout New England and the west coast.

An article about my artwork and creative process entitled “Painting with Watercolors, Painting with Wool” was featured in the Spring, 2015 issue of “Rug Hooking Magazine.” In 2016, the renowned W. Cushing & Company in Wells, Maine launched an exclusive line of rug-hooking kits based on my watercolors.

Since 2008, I have lived with my husband and two sons in the coastal town of Cape Elizabeth, Maine where I paint, felt, and hook in my home studio. Just as many generations of artists have before me, I find continual inspiration from the breathtaking land and seascapes that surround me.

 

 

 

 

 

 

 

 

 

Rogue Industries

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The Eureka moment was when Michael was doing some laundry. He had a pair of pants inside out and noticed the front pocket isn’t a square shape – it has a rounded, pointed shape, kind of like a shark fin.

So Michael decided to make a front pocket wallet that matched the front pocket shape. We got two patents on the design, and began learning about leather. Michael showed prototypes to friends, family and strangers and got really good feedback; product testers thought it was a smarter design and a more comfortable everyday carry. So he decided to go for it. And that’s how the Rogue Front Pocket Wallet was born. We built a website – the first version of which it was truly terrifying – and cobbled together a couple of advertisements, attended a few trade shows, and before we knew it we had a small business.

Wilbur’s of Maine Chocolate Confections

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Wilbur’s of Maine Chocolate Confections is a family owned business that was started by Tom Wilbur & Catherine Carty-Wilbur in 1983 as a chocolate and candy store on Bow Street in Freeport, Maine. When they began making their own confections in 1985 attention to detail and the use of the finest ingredients was what set them apart. Over the next 31 years they grew Wilbur’s of Maine to three retail locations and an online business. In 2016, The Wilbur’s transitioned ownership to their son Andy, and he is leading us into a new age of updated facilities, innovative new flavors, and many of the same tried and true recipes you already love. Andy sees Wilbur’s of Maine as a destination for travelers near and far and wants to make sure our customers know that we are creating the highest quality confections for the best value, the same way his parents did from the start.

Cape Whoopies, Maine’s Gourmet Whoopie Pie

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I get all my inspiration from having traveled with my airline pilot husband. If he was going to Belgium I went too…once there I tasted chocolate and waffles and all sorts of amazing flavors. I noticed that all over Europe the flavors we far less sweet than in the US. I was totally intrigued by this and set about to make a product that rivaled those flavors. I sourced all my goods from all over the world. I found the best chocolate and vanilla and just found my way, organically, to the best tasting whoopie pie I could make! I was encouraged to start a business by people who had tasted my product. I had no experience when I began but quickly learned that there is a lot to learn in business. I jumped in with both feet and my friends gave me money to get going and that was it. From the beginning I just solved the problems in front of me and then took one step…each day presents a new set of issues to solve and I continue to move forward. Its actually quite simple.

Planet Botanicals – Maine Seaweed Skincare

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Michele Gilfoil grew up in South Portland Maine and was very impressed by the benefits of Maine Seaweed. She created a sample seaweed body cream and gave it to friends and family who loved the effects on the skin. Thus, the “Seaweed Beauty Collection” was created with the “Seaweed Dream Cream” as its best seller. The Collection also includes hand-made seaweed bar soaps, hand cream and Voyager travel kit. Maine has one of the best qualities of seaweed in the world, because of its pristine ocean waters. Michele hand-harvests the seaweed in a sustainable way to protects this renewable resource.

Our origin story: Serendipitously, on a trip to Africa with her sister, Michele met a women’s shea butter cooperative that made a luxurious shea butter by hand and experienced its nourishing effects on the skin. Michele thought of a new idea: create a strong collaborative relationship with these women and other sustainable harvesters around the world source fresh high quality ingredients directly from these producers. She recognized the significance of working with producers who have strong traditional knowledge of the plants and who receive a fair equitable share of benefits. She also believed that having full transparency to the source of production would ensure quality and freshness and these ingredients were grown in a sustainable way. So, she started Planet Botanicals in Westbrook, Maine.

Michele received her BA in Mathematics from the University of Vermont, MIA from Columbia University School of International Affairs and a MS in Financial Engineering from Columbia University. Michele built a successful banking career in risk management with several of the leading financial institutions in New York City before starting Planet Botanicals.

US Bells

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I began making bells almost 40 years ago with a welding torch and anvil in a small garage. I cut, hammered, and welded together pieces of sheet metal to produce my first wind bells. They were crude, but people seemed to enjoy their mellow cowbell tones. I purchased a peddler’s license, and on Saturdays during the fall of 1970 I would drive into Boston and sell my week’s work from a pushcart in a few sociable hours. It was fun for awhile, and offered a brief and pleasant tie with the colorful tradition of street vendors that I always enjoyed on visits to the city when I was young.

Later I learned of the American Craft Council fairs at Bennington, Vermont. These shows opened the door for a career in crafts, bringing me into contact with an exciting network of supportive galleries and craftspeople from the entire country.

In 1975 my wife Cindy and I moved to Maine, where we built our home and enjoyed many happy years raising our four sons. Our first workshop arose from wood cut on our own land. It was rustic, but it served us well for several years. Although the sheet metal bells had been successful, the range of forms and sizes was limited. I became interested in the technique of bronze casting, which offered many new possibilities. In 1982 we built our original foundry building. There is no school for foundry work, especially as it applies to bell making. So there was a lot of experimenting. It was a slow way to learn, but we progressed. Thankfully, people continued to enjoy and purchase our work.

Gradually over the years we have been able to acquire the techniques and equipment to operate a successful foundry business specializing in bells. Much of our process is entirely conventional, if old fashioned. In fact the molding machine shown in our foundry illustration was made in 1946, the same year I was born.

I have always enjoyed showing our customers about sand casting and watching their fascination grow as the molten bronze glowing with heat flowed quietly into the heavy black molds. When they see the work and care that goes into every aspect of the bells, they look at our finished pieces with genuine interest.

In the past several years we have expanded our foundry four times, built a finishing shop and our own US Bells store. We now sell our work in Prospect Harbor as well as through other galleries, direct mail and online through our website. Although we are still a small family run business with only three employees, our bells are widely recognized for their quality of tone and integrity of design.

Throughout this work, I have also built larger one-of-a-kind wind bell sculptures. These pieces may use a single bell or several, that are tuned to sound in random harmonies that vary with the weather. There are always constraints, such as scale, intended location, and cost, which limit yet help to define the forms needed for the structural and mechanical components of these sculptures. The challenge is to create a piece that solves the technical problems and evokes both functional and visual integrity. The dynamics of creating an object that stands independently outdoors and moves with the wind to produce a rich spectrum of sounds are as stimulating to me today as they were when I welded together my first steel wind bell in 1970.

The deepest motivation for my work has always been to establish a connection with nature. My bells can remain outdoors year round, through winter blizzards and quiet summer breezes. As the weather changes, so too does their song, which, for me, becomes a vibrant reflection of our living world.

Richard Fisher

Sweeney Ridge

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Always involved in art and community functions. I had a store in North Conway Village NH many year selling only my own artwork when I lived in Fryeburg. My husband had a heating ventilation and sheet metal business in northern Maine. When Loring Air Force closed many of the contractor failed to pay us and left us in a miserable situation. I decided to make a product with our high tech equipment that didn’t depend on the local economy, designed products and went to the Philadelphia Gift Show starting a national wholesale business that we were active in for many years. Now I prefer to get the full price for my painted work and sell directly to the public through shows, Etsy and my studio.

William Janelle

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I am a self-taught sculptor who works primarily in wood. I grew up in Saco, Maine and been carving for over forty years. As a subtractive sculptor, I take away from a single block with hand tools, often leaving tool marks behind as a sort of fingerprint. My preferences of wood are apple, cherry, butternut and walnut. These are hardwoods with very distinctive grains and colors. I also work in marble, soapstone, alabaster, pumpkin, ice and snow.

My style is a fusion of realism and neo-classicalism. This enables the viewer to recognize the subject matter and at the same time allows me the freedom of self-expression. The goal of each piece is to show motion in the subject matter. Whether it be a puffin standing on a rock, with its head turned ninety degrees, inquisitively looking at something that just startled it or a falcon, half second from flight. The sculpture’s emotion allows the viewer to recognize a bit of humanity in the subject portrayed.

I was juried to exhibit in the Center for Furniture Craftsmanship, Rockport, ME, Messler Gallery “MAINE WOOD 2020” Show, where I received the “Outstanding Craftsmanship Award”.  I have won more than a hundred ribbons, Best of Show awards, and have been featured on TV – Steve Minich, WMTW segment “Made in Maine”; Doug Rafferty’s ‘Doug’s Discoveries’ , newspaper features and Lake Living Magazine.  I now live in Bridgton, Maine with my wife, Loraine and our dog, Isabel.  She is now helping me with my new venture, making cigar box guitars.  Check out my new Facebook page, Feathercrest Guitars.

Lobster Buoy Birdhouse Co.

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Our lobster buoy birdhouses, suet feeders, buoys, planters, and ornaments are designed to resemble vintage buoys that lobstermen used in the early 1900’s to identify their traps.  We construct each buoy by hand in our shop in Lisbon Falls.  The cedar wood is from northern Maine and the rope handles are recycled lobster trap rope from local fishermen.   We like to think of our products as fun and practical… birds love them and they add a splash of color and coastal charm to any home or garden.

Butler Woodworking

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At Butler Woodworking our greatest hope is to handcraft fine wooden products from domestic and exotic hardwoods which you will enjoy using just as much as we love creating them. We have handmade items such as wood French Rolling Pins, Traditional Rolling Pins, Cutting Boards, Butcher Blocks, Bottle Toppers, Bottle Holders, Pens, Letter Openers, Mouse Pads, Trivets, Vases, Shaker Oval Boxes, and Shaker Style Carriers. These wood products can be made with a single hardwood like Mahogany, Maple, Walnut or Cherry. We also create combination pieces which include exotic woods like Canary, Tigerwood, Purpleheart, Tulip, Yellowheart, Bubinga, Rosewood…………..

We pride ourselves on our ability to craft products designed specifically for you. Custom made items can be made with the woods you choose. These can range from several exotic or domestic woods to handcrafted pieces made from your wooden family heirlooms such as mantle pieces.

When you buy our handmade wooden products or work with us to create custom wood pieces you are dealing directly with us. My wife Connie and I continue to build this business together. I have always had a passion for woodworking. I have spent countless hours researching and learning about wood during the past 30 years. Hand turning an item such as a French Rolling Pin starts with the tree itself and learning the unique characteristics of each piece of wood I use. Attending The Center of Furniture Craftsmanship in Rockport, Maine as well as The Woodturning School in Damariscotta, Maine and the Homestead Woodworking School in New Hampshire have helped me enhance my ability to craft several usable wood products and custom handmade wood pieces.