Lowell Hill Pottery

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By way of introduction, my name is Geoff Miller. I am a former Rowantrees potter and founder of Lowell Hill Pottery. My mission is very simple; to assure that those who wish to own and enjoy the simple elegance of Rowantrees products may continue to do so well into the future.

I value the Rowantrees heritage, so I continue the practice of making each piece one at a time by hand on the potter’s wheel. Where practical, I continue the tradition of using local materials in the glazes that grace the wares as long as I can maintain quality control. I am committed to high standards of quality and customer satisfaction.

Where necessary, I have made changes to assure the safety and continued availability of my products. But at every turn my decisions are made to assure that the final product is as indistinguishable from the original as possible.

I have also started producing a line of products that are exclusively my own design. These include the Labyrinth tile pictured on this page (great for meditation) and custom-made logo mugs for a local pub.

Maine Heritage Weavers

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The Bates Manufacturing Company was established in Lewiston, Maine in 1850 by Benjamin Bates. It quickly became one of the largest textile manufacturers in New England and transformed Lewiston from a struggling agricultural town into a booming industrial city. By 1857, the Bates Mill in Lewiston ran 36,000 spindles, employed 1,000 hands, and annually turned out 5.7 million yards of the best quality of cotton goods. Even after winning multiple achievements and awards for his textiles, including “Best Pantaloon Stuffs” and “Best Plain and Fancy Cotton Fabrics”, Bates wanted more. Accordingly, in 1858 the Bates Manufacturing Company wove the first Bates bedspread.

Upon the start of the Civil War, most New England mills started selling their cotton stock, assuming that the war would only last 90 days. Instead, Benjamin Bates bought as much cotton as he could find (despite the skyrocketing prices) and became the main supplier of Union textiles during the 4 year war. Even afterward, despite post-war depression, the Bates Manufacturing Company prospered and continued to expand. It was at this time that the French-Canadian population began to immigrate to Lewiston for work; even today the city of Lewiston continues to have a great French-Canadian influence (and many of the current mill workers have French-Canadian ancestors that began their American lives as mill workers).

Throughout the Civil War and both World Wars the Bates Manufacturing Company continued to weave its fine quality cloths, with bedspreads being the main focus for the past 50 years. The company was running for more than a century when it was sadly forced to close its doors in 2001 like many of its peers in the world of American manufacturing.

Former Bates President and Founder of Maine Heritage Weavers, Fred Lebel, recognized the historic significance of Bates Mill and was not willing to let the cherished tradition fade into the past. With this in mind, Lebel and his daughter, Linda Cloutier (current President of Maine Heritage Weavers), salvaged the necessary equipment from closing mills to create Maine Heritage Weavers in 2002 in the likeness of the historic manufacturer that so many people had come to rely on both for its loved, quality bedding as well as for employment. Lebel further kept the weaving tradition alive by hiring former Bates Mill employees who had lost their jobs when the Mill closed.

Today, Maine Heritage Weavers maintains the high quality and standards of New England’s historic textile tradition and continues to weave many of the original designs under the famous Bates name. To this day, the products are truly “loomed to be heirloomed.”

AP Curiosities

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I, like most people, started making and creating as a young child. The only difference is that I never stopped. Even while getting my business degree at the University of Colorado Boulder and juggling my job as a waitress, I was addicted to making things in my spare time. No matter what it was, I would find an excuse: a new apartment warranted glass cutting and electrical wiring to create a lamp out of an old bottle; a date provided an excuse to make a new pair of earrings out of collected rocks; a shower the reason to make soap. Opportunities were endless and I was enthusiastic.

In 2011 I left the Wild West and relocated to the East Coast. Initially it was a short-term move. I had worked in the hospitality industry for 15 years and the restaurant scene in Portland was booming, so it seemed like a fun place to be for a few years. But life tends to work out in ways you never expected. First the ocean hooked me, then I signed up for a pottery class, and next found a job as an assistant to a local artist – all which kept me here just long enough to fall in love with a Mainer. Nine years later and I am still here, living and working out of my art studio in an old farmhouse on the shores of the Kennebec River. I am beyond lucky to have stumbled into such a welcoming and creative community, and have now been a part of the Bowdoinham Guild of Artisans for two years.

While not formally trained in art, experience has been my teacher. It has not always been kind to me, but it has been honest. They say art is self-discovery. I have learned two very important things about myself through making art. The first is how much I smile. Smiling has always been a way for me to break down barriers and also as a reminder to enjoy the little things. So it comes as no surprise that my work tends to make people smile. The second – I anthropomorphize. Everything. My favorite movie as a child was The Brave Little Toaster. More often than not I find myself attaching a hand on a mug in place of a handle, or sculpting feet on the foot of my bowl. Right now ceramics is my primary medium; but I am happy as long as I am making.

Coast and Pines

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It all started with a bright blue picnic table at the family camp on the ocean in Gouldsboro, Maine. The table had held hundreds of my relatives over the years as they cracked fresh crabs and retold old stories. After many decades, repairs, and repaints, the time came when the table was no longer safe to sit at. It would be sacrificed to the bonfire gods that weekend. That just struck me as heartbreaking. Hundred-year-old relatives had fed the first bites of lobster to their babies and grand babies on it. Countless gooey marshmallows sticks were laid on it while campfire songs were sung around it. Thousands of sunsets were shared by distant cousins reconnecting over cocktails while gathered at it. All that history and it would just be destroyed? I convinced them to let me take it home instead.
With no prior history of power tool use, I watched countless Youtube videos and taught myself some basic but necessary skills. I cut away the rotted ends, sanded off the rough spots and chopped it down to sturdy smaller pieces. Then I made my first sate of Maine sign. I kept the blue weather worn chippy paint and used one of the old bolts to mark the camps location on the coast of Gouldsboro. I brought it back up to the camp and hung it on the hundred-year-old wall by the family tree. It is a treasured piece still, one that preserves the history of the family that came there before us and the beauty of the traditions they left as a legacy.
Maybe I romanticize it all, but I see stories in the discarded wood I find. Old pine flooring makes me think of chubby baby feet taking first steps, worn walls bring thoughts of family laughter and holiday gatherings, fences with etched writing brings a glimpse of lovers first moments together. It always seems a shame to just discard the history and the memories. I want it to go on. I want the piece to become part of someone else’s story and continue gathering memories. By putting customized words on each one, I feel like I am somehow connecting the old life and the new life and giving each piece a fresh place in history.

Textured Porcelain

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Guenola Lefeuvre was born and raised in the northern suburbs of Chicago. Her passion for clay started on a kick-wheel in high-school and has followed her all over the world. Finally settling in Portland, Maine, she finds most of her inspiration on the Maine Coastline. She spends most of her time teaching and working out of Portland Pottery. She works mostly in high-fired porcelain due to its natural beauty, transparency & durability. She starts on the wheel with her forms and once the clay is sufficiently dried, she trims and adds surface texture to create a unique, functional piece of texture.

 

The Scone Goddess

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The Scone Goddess bakes amazing fresh scones daily and creates premium scone mixes that require just 1 ingredient for bakery quality scones at home.

Just add cream for delicious scones in minutes!

Gluten Free now available!

We offer over 20 varieties of premium scone mixes  available at our shop, online, or at a retailer near you. Don’t see us in your area? Shoot us an email and we will see what we can do!

The Scone Goddess Flagship Store is open at 1390 Atlantic Avenue in Northport, ME Thursday through Saturday 7:30-Noon.

We offer over 70 varieties of fresh baked scones, as well as our famous premium scone mixes and fresh roasted coffee!

Cheers!

Wicked Maine Pops

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We’ll give you every reason to fall in love with Our Pops.
An exciting, new venture, Wicked Maine Pops is produced under the long standing company umbrella of Northwoods Gourmet Girl LLC. We bring you a newly ignited passion for these tasty and inventive frozen treats with the same commitment of quality we’ve stood by in Northwoods products all these years. We promise transparency in ingredients and TLC in each product we send out of our kitchen. Our pops are made with the best ingredients in traditional and inventive flavors.

The truth is, we needed a change because life is not to be taken for granted and we weren’t having enough fun!!  Our mentality is pops make everyone smile. Our goal is a healthy and nostalgic treat to make you grin and remember sticky fingers and summer days while feeling good about what you’re eating.There’s virtually a pop for everyone, no matter your diet restrictions. Check out our pops and see what fits your sweet tooth!

Find us out in the world or invite us to your special event with one of our great carts or mobil units.  Know market, shop or store you’d like to see us in? Shoot us an email and let us know.

Crafted Downeast

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Crafted Downeast is the thoughtful joining of two Maine companies; The Carpenters’ Workshop and Maine Coast Creations. Now located in the chapel at the former Navy Base in Cutler, Crafted Downeast creates handsome, rugged, heirloom pieces from native cherry and maple hardwoods. From butcher block islands to shaker inspired benches, cribbage boards and cutting boards their designs are functional and timeless. Custom engraving is available on most pieces to use as corporate gifts/promos and that personalized touch for friends and family..

Moose Prints Gallery

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Home base to Internationally published wildlife and nature photographer Mark Picard-
Mark is noted for his photographic creativity in the field, not only in composition and lighting, but also in his use of equipment, blinds, and knowledge of animal behavior. Mark’s images have appeared in over fifty national and international publications, books, and calendars, including Audubon, Sierra Club, Animals, Canadian Wildlife Federation, Maine Scene, Nature Conservancy, Birder’s World, Bangor Daily News, Defenders of Wildlife, Wild Bird, Bird Watcher’s Digest, Scholastic, Northern Woodlands, Northeast Kingdom, National Wildlife Federation, Maine Sportsman, Ontario Out of Doors, Chase and Peche, Wildlife Conservation, Tide- Mark Press, Ranger Rick, Vermont Magazine, North Country, Yankee and others. Commercial clients Mark has had the recent pleasure of working with include Abercrombie and Fitch, United States Postal Service, Maine Turnpike Authority, Northeast Kingdom Travel and Tourism, Elliotsville Plantation, Huckleberry Foods, and James Sewall Corporation. As a member of the Fuji Pro Talent Team, Mark is well versed in both film and digital photography formats, including postproduction digital workflow and Adobe Photoshop. He has led the Nikon sponsored L.L. Bean Outdoor Discovery School Big Moose Photography Getaway Weekends each June in upstate Maine as well as photography workshop/tours for the Great American Photography Workshops in the Fall. He was named Maine Sportsman Artist of the Year and has served as an instructor for Baxter State Park’s Maine Youth Wilderness Leadership Program. Mark uses Nikon D850 and D4s series digital cameras and various lenses ranging from 14mm – 600mm, combined with Gitzo tripods, Really Right Stuff and Wimberley heads. Moose Prints Gallery and Gifts in Millinocket, Maine.

 

La Sagato

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I am primarily self-taught with several years of art edu back in the 70’s. My artistry had sort of whittled back to photography due to much work and many children and was purely for my pleasure and preserving a sane frame of mind. As life evolves through twists ‘n turns I decided to act on my passions. I love the creative process, greatly enjoy seeing how consumers react – then came the Ah-hah moment when pieces were sought, admired, and sold. My painted photographs became wearable art. Inspiration happens daily, moment by moment.