Woodsmith’s Manufacturing

ss

In the fall of 2019, John Templin Jr and his wife Ceara became the new owners of Woodsmith’s.

John, a lineman by trade, grew up in the woods of Smithfield, Maine with his father harvesting logs and driving his father’s skidder. Most of the wood harvested was used for firewood or logs to sell for pulp. Growing up, John would often cut cedar logs into hand-hewn cedar log beds. Some he would sell, some he would keep. It wasn’t until John and Ceara received a sawmill from John’s grandfather as a wedding gift in 2008, that John really started to see the beauty in different species of wood. Cutting a log in different ways exposed different grain patterns and John found it interesting to see just how many boards could be cut from a single log. In 2015, John and Ceara began the project of building their dream home; a hybrid Chalet-style home built with a pine timber frame internal structure and an insulated concrete form outer shell. Ceara, a drafting designer by trade, drafted up the plans for their home and even designed the layout for the kitchen cabinets. John had hopes of building the cabinets himself but with time constraints, was forced to receive quotes from outside manufacturers. Rick Smith from Woodsmith’s Manufacturing drove to Smithfield where John and Ceara were building to measure the room(s) for cabinets. Rick noticed John’s wood working tools, Ceara’s designing skills and the common interest in wood production and handcrafted design. A friendship was formed and the door to a business opportunity was opened.

Today, Woodsmith’s Manufacturing employs 8-10 highly skilled craftsmen with over 100 years of combined experience in the handcrafted furniture and cabinetry industry. The manufacturing facility is still located at the old Woolen Mill site in Oakland and is still building some of the highest quality handcrafted furniture and cabinetry in the state of Maine.

Bigfoot of Maine

ss

At the end Russian Revolution, the revolutionists opened all the royal museums, galleries, and halls in Moscow and other cities. All the peasants were welcome to these places but there was one big problem – peasants’ boots. These “hob-nailed” boots, if left on the inlaid marble flooring, did serious damage to the floor and if removed and left in a pile, was difficult for the peasants to find their pairs. The horrible smell or unwashed feet was another problem. This is how the trend of OVER BOOT SLIPPERS got started (I saw them during my travels to Europe in the 60’s).
MY CREATION
I wanted to create something that can fix the ‘dirt on the floor” issue. Because I am an architect in the building business, I realized the need for construction boot covers and scuff boot slippers in the real estate business. They were made in four sizes: small, medium, large, and extra-large. Small for children and petite ladies; medium for medium ladies and small men; large for the larger ladies and regular men; and extra-large for the large men.

I got my “eureka moment” when I was skiing at the wonderful Sugarloaf USA up the road from Kingfield, Maine, where I owned, restored and operated a Historic Hilltop Country Inn and French Restaurant for nearly 20 years. What started with designing buildings later led to my passion for just solving problems and which led to making the BOOT SLIPPERS.

Lynn Ericson Fine Arts

ss

My artistic career started when I won an art contest at the age of ten. The painting of my beagle, Kimmy, was judged the most popular in the city-wide art festival in Portland, Maine, where I grew up. I then won a New England Regional Art Contest—for painting with Q-tips. I felt like Claude Monet.

I majored in English literature in college and lived in a bunch of places — Boston, Marblehead, MA, Rochester NY, and Clermont Ferrand, France. After getting an MFA from Rochester Institute of Technology, I came back to Portland and opened a graphic design studio. For over 25 years, as Ericson Mitchell Creative, I had an interesting diversity of clients, loved the work and won awards. Then the industry changed drastically and my passion for it waned. I fantasized about having the time to paint and then decided to make it happen.

Although I had dabbled in painting pet portraits, usually dogs, for several years, it wasn’t until 2017 that I decided to paint almost daily and show my work. I’m now happily immersing myself in color and looking forward to where this path takes me. I live in an old farmhouse in Hollis, Maine, with a crowded studio, a lot of books and a menagerie of rescue critters.

ARTIST STATEMENT/WHAT INSPIRES ME

As a graphic designer, I spent over 25 years trying to capture the essence of a product or service and communicate that message with immediacy. I’ve traded designing on the computer for paint, but the goal of my impressionistic acrylic paintings is very much the same. I try to communicate the spirit of a place or subject matter that captures my attention. Since my passion is color, my primary focus is on color relationships and their emotive power. The subject matter anchors the painting and I then explore reducing it to its underlying shapes. patterns, textures and of course, color. I let the painting process determine the final balance between representation and abstraction.

I’m inspired by the natural world and the beauty of places I’ve lived and traveled to. I especially love the Maine landscape with its white pines, marshes, fields of lupine, and iconic little islands. Sometimes I’m just inspired by a compelling color combination in someone’s scarf or a bowl of fruit. I’m constantly taking photos of everything that attracts me visually.

I paint with acrylics and sometimes the addition of oil markers. I start a piece with a wash of thin layers and the progress of the painting involves an ongoing cycle of adding and subtracting, building and simplifying until I feel the balance is right. That feeling of connection is the moment worth waiting for. I’m very influenced by my design education, which stressed strong composition, cropping, vibrant color and the importance of negative space. To keep my pieces from being too busy, I leave sections very quiet to keep from overwhelming the eye and to enhance other elements. And If I had to narrow down my painting influences to a few artists, I would choose the 19th century painter Paul Serusier and contemporary painter, Walt Kuhn.

Chickenscratch

ss

We began collaborating in 1988 shortly after graduating from prominent the Temple University, Tyler School of Art Jewelry & Metals Program. For 33 years we have created limited production studio multiples under the auspices of CHICKENSCRATCH, basically since we were kids.

Ten years into our venture, we craved a greater technical and creative challenge and began making One-Of-A-Kind pieces under “L & S Cylinder”, in addition to our studio multiples. This jewelry and objects are more substantial and more serious, both in concept and execution and have been exhibited internationally.

We are inspired by a blend of observations; Of nature, fables and myths, vintage cartoons, Craft history and Fine Art. It is an amalgam of two peoples different points of view, histories and experiences, both individual and shared.

Our Studio in Fort Andross, in Brunswick, is called “the Wedge”, due to it’s unusual shape. There, all of our work is hand crafted by the two of us. The Wedge also functions as a teaching space where beginner classes and advanced workshops take place.

Mt Waldo Plastics

ss

Mike and Stacy started Mount Waldo Plastics with a simple idea: Build a snow shovel that is tough enough for a hard Maine winter. They put hundreds of hours of research into finding the best design for a snow shovel, and they came up with the “Snofighter.”

In addition to its sleek, attractive design, the Snofighter is the best shovel on the market for a number of reasons. Designed by Mainers, it is lightweight, so it reduces the strain put on the users’ back and arms when shoveling. It has a large handle that makes it easy to grip, and the scoop portion of the shovel is made of hard, durable plastic that doesn’t crack, even when used on wet, heavy snow. The Snofighter recently went on the market, and there has already been a big demand for the Maine-made product. 17 businesses now offer the Snofighter and more join the list nearly every day.

If your local hardware store doesn’t offer the Snofighter, ask them to! Be ready for the snow this year with the Snofighter, the only shovel tough enough for a hard Maine winter.

Pocomoonshine Crafts

ss

We are a husband and wife team, David and Jean Herrick, and we weave each rug and towel in our home. It all started with the fond memories David has of his mother using a Nadeau table loom to weave useful items for the family.

In 2014 we started weaving at our home on the beautiful shores of Pocomoonshine Lake in Washington County, Maine. Thus, the name “Pocomoonshine Crafts” came to life. Many a winter day is spent at our looms weaving beautiful and useful articles for you

Our rag rugs and towel are known both for their beauty and usefulness, and for the love that goes into each rag rug and towel. They add enjoyment to the home for years to come.

Wildwood Oyster Co.

ss

“To me, there are two smells I love— the smell of New England salt air and the smell of leather. I want everyone who loves the ocean as much as I do to have fashionable accessories that they can wear on their daily adventures, even when they can’t be on the water.”
-Becky McKinnell, Founder/Designer of Wildwood Oyster Co.

THE STORY OF WILDWOOD OYSTER CO.

For my birthday in 2017, my sister surprised me with a leather hide— how amazing is that? I knew that I wanted to make a handbag and immediately started sketching designs. I wanted to create a bag for myself that was fashionable, durable and reminded me of my love for the ocean. I created this simple, minimalist handbag to fit everything— including my laptop and beach towel— so that I could wear it to work or bring it to the beach.

For the handle, I chose nautical rope because it reminded me of summer on the water— whether it’s being on the dock in Scituate Harbor where I grew up or on a boat cruising the islands of Casco Bay where I live now. The brass hardware give the bag an industrial touch that I love while still adding a little bling ;)

When I went to the marine store to choose my rope for the Wildwood Oyster Co. bag handle, I was inspired by a pile of remnant dock line. There were so many fun rope colors— traditional navy, white, blue, plus bright neons like green and orange that reminded me of lobster buoys. I always wanted to learn how to tie fancy knots and love wearing long necklaces, so I designed a long statement necklace with a heart knot for my first necklace.

When I started wearing my necklaces and the bag that I designed, I couldn’t believe the compliments I would receive! I had never worn anything before that so many people were curious about. When I was on vacation in Martha’s Vineyard, a woman even bought a necklace right off of my neck! I knew that Wildwood Oyster Co. would be a brand that people loved…and so a company was born!

Black Ink Coffee Company

ss

Black Ink Coffee is a veteran owned and operated, subscription service and specialty quality coffee business. With the goal of fueling our customers dreams in life, we make it our mission to motivate and serve you.

Every coffee bag that we offer features a simple word across the top, “Begin”. This bold statement is what we stand for at Black Ink Coffee Company and it is embedded within our own beginning. We believe that every dream should be followed and every story should be written. No matter how big or small, we want our coffee to be the catalyst that gives you the courage to ink your story.

Learn more about our founder in the following piece from News Center Maine

Fogtown Brewing Company

ss

We opened in 2017 in the rural city of Ellsworth, Maine – at the gateway to Acadia National Park – as Ellsworth’s first and only production brewery. We’ve remained passionate about small-batch craft offerings, farm-to-table menus, and contributing to our community & culture.

From the very beginning, we’ve been committed to locally-sourced and sustainable ingredients and business practices, supporting our state’s agricultural systems, and we continue to explore and responsibly use the wild and foraged flavors of Maine.  We’ve been brewing our flagship Foglight Maine Pilsner since 2018, with barley grown in Aroostook County and malted by Maine Malthouse in Mapleton & Blue Ox Malthouse in Lisbon Falls. We brew, ferment, and package all of our beers, ciders, wine, and more in our small facility in downtown Ellsworth (which features a solar array which provides over 73% of our electricity needs).  All Fogtown label designs are produced in-house as well.

Our Ellsworth location features our original taproom, plus a beer garden, patio, & wood-fired pizza oven, and our second taproom located in downtown Bar Harbor features snacks and food specials, with up to 18 tap lines pouring our brews.  Also, we’re available on tap and in stores all over Maine!

Maine Metal Creations

ss

Graduated from CNC machining program in 2011, followed by 8+ years experience in the machining field. Decided to start exploring other avenues and found CNC plasma tables as an interest. As people saw my work and enjoyed it my interested continued to grow as well.