Helene Farrar Art

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Accomplished painter, Helene Farrar has been honing her craft for over 20 years. Helene creates rich paintings in texture and color of the Maine Landscape that capture the light and transitions of the seasons in the ancient medium of encaustic (molten beeswax, damar resin crystal and color). She also works to create elegant custom works for the home and office.

A NY native, Farrar fell in love with encaustic following the resurgance of the medium in the 1990’s Portland gallery scene. Appealed by its capacity to build varied texture and surface quality, Farrar’s early trainer as an intaglio printmaker at the University of Maine was lit. Farrar’s paintings are noted for their incised drawn in line and bold compositions.

Farrar offers classes and private instruction at her farmhouse studio in Manchester, Maine. She also travels the state to work with school aged children as Artist In Residence and provides instruction in encaustic painting at varied art schools and New England from the Haystack School, Waterfall Arts and the International Encaustic Conference.

Sea Glass by Suzy

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Though I wasn’t born in Maine, I have had the opportunity to live here for most of my life. The beauty of the rugged Maine ocean and beaches, forest, mountains, rivers, and lakes has become part of who I am. I have always collected bits of sea glass, rocks, driftwood, all gifts of nature. My husband and I have been avid sea glass collectors since about 2009. Combing the beaches for mermaid tears (sea glass) has become a passion.

I have been making jewelry for family members and friends for years. But, in 2012 I started making and selling sea glass jewelry and crafts as a business. The sea glass that I use has been found along the beautiful coast of Maine, tumbled only in the ocean and frosted by the water, sand, and rocks along the shore. I find sea glass so beautiful because something that humans have thrown away as trash has become something beautiful because of nature.

The material that I use with the sea glass is primarily sterling silver. The procedures that I use in my jewelry making are hammered, drilling and wire wrapping. Please enjoy a bit of Maine in each piece of jewelry or craft.

Crooked Face Creamery

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Raised with the steadfast work ethic and deep gratitude that comes from dairy farming, Amy might have spent some time away but her family heritage was quick to call her back up north. That’s where the herd with the funny-faced Jersey cow came in, and the thoughtful (though wholly unexpected) process of perfecting a line of whole milk cheeses took hold.Between visits to local dairy farms to scratch beloved cow noses, Amy is
 now hard at work creating a unique mix of award winning cheeses for her Crooked Face Creamery and Up North Cheese brands. All cheeses are handcrafted with high quality whole milk, no preservatives, and limited ingredients, and often specially cold-smoked, for the creamiest, richest flavor and texture. You can use them with just about anything, from pastas and salads to sandwiches and spreads, and should do so with abandon. It’s Amy’s way of giving back—to her local farmer friends, her crooked face cows, and her community—in the very best way she knows: really, really good cheese.

Portland Mattress Makers

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Since 1938, we have been making custom mattresses using durable, high-quality materials. From the moment you lie down on your new bed, you can feel the comfort that comes from your mattress being quilted, layered, and assembled by hand. Our goal is to give you the best mattress you’ve ever experienced at a great value — just ask our satisfied customers! We go the extra-mile to figure out exactly what you need out of your mattress before assigning it to one of our local craftsmen, who builds it with your best interest in mind. Stop by one of our four store locations (Portland, Biddeford, Portsmouth, NH or Manchester, NH) or contact us to get started. We have an unmatched warranty and 30-day comfort guarantee.

We are a family-owned and run company and so proud of our team – all committed to bringing you the highest quality in a mattress for your best night’s sleep.

Owners George and Doris Samaras live just outside Portland, in Falmouth.

Coffee By Design

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In the summer of ‘94, back when Portland, Maine’s downtown had a high vacancy rate and
before it was designated an arts district, we opened the doors of our first Coffee By Design
at 620 Congress Street, center of the pornography district.

We were quickly embraced by the neighborhood, and are grateful for each and every person
who stopped in to buy a cup of coffee and offer us encouraging words. We would not be here
today, celebrating our 25th year in business, without the support, and love, we felt — and still
do — every day.

Today’s Portland is very different. Some might say Coffee By Design is very different too.
We’ve grown to three locations in Portland, one in Freeport, a cafe in IDEXX and hundreds
of wholesale accounts.

But our vision and core values remain intact, stronger than ever. We are mission driven.
We continue our passion for and pursuit of sustainably sourced, fairly priced, high quality
coffee. We maintain long term relationships with the farmers we work with and seek out
additional coffee partners with whom to grow. Our dedication to the nonprofits and artists
who help make Portland, and Maine, such a great place to live and work is from the heart
and viewed by many as a critical point of difference — as is our belief that everyone is
welcome at the table to share a cup of coffee and conversation.

Our welcome table environment was noted at the recent World Coffee Producers Forum in
Brazil. Having just visited Coffee By Design, Phyllis Johnson, a featured speaker, noted when
she put up a slide from a recent CBD event, “You might think this is some place in Africa but
in fact, it is a US city with 84% white Americans. Coffee By Design has reached out to a small
population when they could have been happy with having 100% white people working at and
sitting in its cafes. It would’ve been easy to just let that happen but they did not, and
continue to grow which benefits the entire community.”

Celebrating our 25th anniversary last year, Coffee By Design is busier than ever — both locally and at origin.
We hosted events which presented coffee in many forms from “Crave,” our challenge to
chefs to prepare savory or sweet dishes using coffee as a key ingredient during Restaurant
Week, to our latte art throwdown, which served as a fundraiser to educate and support
Preble Street Anti-Trafficking Services. We visited new farms in remote regions of El Salvador,
Guatemala, Honduras and Rwanda, and spent time with old friends in Costa Rica and
Colombia.

We fueled a group of sixteen university experts studying climate change impact on Arctic
World Heritage Sites adjacent to the ice sheet in Greenland and hosted 25 coffee growers
from 5 countries to share how their coffee is enjoyed and how we can work better together.
We conducted lectures for students from our local high schools and universities and others
visiting from International Programs, and we continued to be actively engaged in successful
integration for asylum seekers and refugees who now call Portland, and the United States,
home.

Organically, we both changed our titles from co-owners to co-founders. A subtle shift but a
big statement.

Because of our community involvement, we were guests at Maine’s first female governor’s
inauguration and ball and have been participants at three first-time State events at the
Blaine House: Iftar dinner, World Refugee Day, and Pride Month receptions. In addition we’ve
attended numerous other events knowing that our sponsorship dollars and coffee donations
were very much valued, but appearing at these events proved our involvement is much more
than just a transaction.

We realize, now more than ever, how running our business in a socially responsible and
sustainable way makes a difference. The other day someone said “many invite others to the
dance but the difference is whether or not you invite others to dance with you.” We believe
that small gestures from a kind and open heart have deep and meaningful impact. How we
welcome others into our lives, into our homes and businesses and yes, even to dance with
us, is what Coffee By Design is about, which builds the foundation of the long-term change
we seek.

In a trip early last spring to Rwanda, our belief in how small the world is was proven yet
again. In the course of a single week, we shared the tour with an individual who was one
of the few survivors in his family of the genocide and who now calls Maine home; met a
Rwandan coffee farmer who lives in the United States but wanted to give back to her birth
home through farming and unexpectedly discovered a long lost friend when visiting us in
Maine; and met a 10-year-old girl whose father has not seen her since she was two and
who we know to be an asylum seeker in Maine.

For Coffee By Design’s 25th anniversary, we named our celebration, “Harvest,” for in working
together as a community, we plant the seeds for a beautiful today and tomorrow.

We appreciate the opportunity to share some of the stories about Coffee By Design,
providing a snapshot of who we are as a Company today with more to come. We’re 26 years now
going strong with a bright future ahead and look forward to more years working with the
entire CBD community, together changing the world one cup at a time!

Knoticalove

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Lisa is originally from Central Maine and now lives in Scarborough with her family. She was educated at Saint Joseph’s College of Maine where she received both her Bachelor’s and Master’s degrees in Business Administration. Lisa started creating knots for her own wedding in 2014 and has been offering them to the public ever since, initially just as a hobby. Knoticalove organically gained interest in recent years and Lisa is happy to be able to now dedicate more time to her Knoticalove business, offering a quality product to people all over the country (and beyond) while she works from home with her family.

ChaliceWorks Turning

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TURNING WOOD – REVEALING LIFE
THE TAG PHRASE HIGHLIGHTS THE LIFE HISTORY RECORDED IN THE RINGS OF TREE GROWTH AND THE LIFE HISTORY OF THE TURNER CREATOR WHO FASHIONS THE FORM HIDDEN IN THE LOG GIVING OPPORTUNITY FOR THE NEW LIFE EXPERIENCE OF THE PERSON WHO USES THESE ITEMS IN CURRENT HISTORY AND EXPERIENCES LIVING MEMORIES.

I began working with wood in a Jr Hi shop course. While fun and instructive the results were less than the “perfect” that I had learned was required for recognition and acceptance by the adult world of the mid twentieth century. Hi School offered no option for shop courses in the elite college prep tract, so I was limited to “self-taught” exploration with a few small tools: a back saw and hand block plane were discovered in a trash pile. With a file, rasp and C clamp I cleaned and “sharpened” these treasures and fashioned some imperfect boxes, towel racks, and napkin holders.
Construction summer jobs were my tool training and skill improvement labs. When I graduated from High School my Grandmother gave me a quilt she had made. The orange and white Jacobs Ladder pattern was awesome. I found one square that was backwards and two pieces of different color. “That is to remind you that nothing has to be perfect and to accept the variations that add life to what you do”, Nana said as she cut the remnant scraps for her next grandchild quilt.
While in grad school I began making furniture with my small collection of tools and scrap wood. In the storage locker basement of the married student dorm I set up a collapsible workbench. It took almost a year to craft an end table with tapered legs, inlay diamond, mortise and tendon sides, dovetailed drawer, and 20 inch square “flat” top with mitered breadboard edge. This Imperfect creation sits beside my bed today, and the heritage of other furniture are spread around family and friend’s homes.
A sculpture artist friend examined a colonial cherry hutch I made from odd lengths I found at a sawmill. He said, “An artist can tell you how you included your mistakes into your design. A master crafts builder can tell how your technique errors have been concealed to the non-observing eye”. Three weeks later that piece was appraised by an antique appraiser as “possible 1800 vintage in design, tool marking and irregular sizing of dovetails and trim molding tooling”.
So much for perfect! Every piece I finish includes the imperfect traces of mistakes lovingly caressed and comforted into acceptance as a parent unconditional acceptance of an errant child.
Turning became a primary interest in 2009 when I signed up for a course at Downeast Turning. It took three years to get a lathe of my own but I started to attend the Southern Maine Woodturners meetings and watched the demonstrations every month with growing resolve to “kiss the wood with the bevel”. Today I have turned over a thousand items that have been gifts, donations to fundraisers, and sold at events. Rosemont Artists Guild has been an inspiration and source of mentoring through learning the business side of being creative.

Now it is 2025 and I am learning the marketing skills of the trade.  More time on the Mac than the Jet, and I have a new web page with products and StrawBoss Lathe Tails.  <chaliceworksturning.com>  And with the support of many who have encouraged me to stay active through forty five years of deminishing sight, I have learned many adaptive process skills to address skill and safety as a blind wood turner.

Woodlore Designs

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My name is Hanna and I live and work with my husband and daughter on our small farm in Rome. We raise cows, pigs, chickens, ducks, and vegetables. My inspiration to create handmade clothing and make a living from my home comes from my desire to spend as much time as possible with my family, raising our animals, and enhancing our land to become more self-sufficient. We strive to return to the simple way of life that our home saw 100 years ago and provide as much for ourselves and our community as possible.

Uncle Lumpy – Woodcarver

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Phil (Uncle Lumpy) McCrillis has been a local craftsman for over 30 years, here in the state of Maine. He is the proverbial “jack of all trades and master of none”. He was a full time gem stone miner, cutter and jeweler for over 30 years and a part time and hobbyist, woodworker, carpenter and carver for over 40 years. Feeling a need for a lifestyle change, he decided to turn his love and hobby of woodworking into his full time avocation. Working w/ the concept of making safe, quality, “ heirloom toys”, that will last for generations and in turn be handed down to following generations, he started making quality hardwood (cherry, curly maple, birds eye maple, black walnut etc…) toys for his 2 year old grandson. Wanting to make something special, he not only has made a quality toys but also small pieces of art. The neighbors caught wind of what he was doing and started giving him requests for more and more elaborate toys and the business has taken off from there. All toys are made w/ love and tested for quality control by Julian his grandson.

van der Ven Studios

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Simon “Siem” van der Ven follows these threads through his life: making things, cooking, drawing, sailing, teaching, being a father (the very best work he’s been a part of). He has never let go of the stage in which he learns from his fingertips inward.

Siem’s undergraduate degree is in printmaking with a minor in sculpture. He worked as a goldsmith and carpenter/builder before becoming an award winning high school art teacher. Seventeen years in the classroom were interrupted only by a year-long sabbatical in the south of France, where Siem worked in Atelier Buffile and studied painting and critical theory at the Marchutz School. Later, while still teaching, he earned an MFA with a concentration in ceramics and drawing.

Siem has taught as an adjunct professor at U-Rock and Unity College. He’s also facilitated various workshops including Haystack Mountain School of Crafts. Siem has been a resident artist at Anderson Ranch in Colorado and Watershed Center for the Ceramic Arts.

As an artist, Siem’s work has won awards in several national juried competitions. It is held in both private and public collections including the San Angelo Museum of Fine Arts, the Canton Museum of Fine Arts, and Harrisburg Community College.

Currently, Siem lives and works in Lincolnville Center, Maine with his wife Kate Braestrup. They share loving six grown children.